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Fitzroyalty - a hyperlocal blog about Melbourne’s first suburb: Fitzroy 3065 - began in May 2006. It is a local blog for local people; we'll have no shouting here!

It features posts on the suburb of Fitzroy in Melbourne, Australia, and reflections on life from a socially libertarian, economically socialist, culturally anarchistic and radically individualistic point of view.

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Archive for June, 2007

driven to distraction

Posted in Brunswick St, Fitzroy, cars, social issues on June 28th, 2007

Walking up Brunswick St on Wednesday morning I found a recent car crash, and once I realised no one was hurt, I became a simple voyeur. Not the only one, apparently, because virginiam has already put some pictures of the crash on Flickr. This is the power of social media - instant, online, and particularly powerful in being locally focused. Because the Flickr RSS feed my blog pulls uses the tag ‘Fitzroy’ I find photos of an event I witnessed appear on my blog before I am able to upload my own photos of the event.

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atheism, politics and free speech

Posted in Fitzroy, Melbourne, books, media, politics, social issues on June 27th, 2007

Back on 29 May I attended a book talk by French philosopher Michel Onfray (official site and wikipedia) at the Night Cat in Fitzroy. His book The Atheist Manifesto is published in Australia by Melbourne University Publishing, which I used to work for. The Night Cat was full to bursting - there could easily have been 200 people inside, maybe more.

The talk was recorded by ABC Radio National for the Late Night Live program with Philip Adams, who is an avowed atheist, as am I. The interview by Adams was broadcast on the 11 June episode, and you can listen to it here (25mb MP3). As well as Adams, professional troublemaker and ‘national treasure’ according to MUP CEO Louise Adler, you hear Michel Onfray, philosopher and public intellectual, and interpreter Charles Sowerwine, who is also Professor of History at the University of Melbourne.

The Atheist Manifestor was reviewed in the Age newspaper, but I can’t say I think much of what Barney Zwartz writes: he obviously hates the book. Zwartz also blogs about the book talk here.

I’d rather quote a more positive reviewer: blogger Russell Blackford, who argues:

It’s important that books like this be written and published, challenging traditional ideas, and especially challenging the claims of religious institutions and leaders to wield moral authority. I especially admire Onfray’s round rejection of the self-denial, false “purity”, cruelty, wilful ignorance, and authoritarianism that the monotheistic religions have exhibited and supported all too often.

The atheist debate is contentious enough, but it has been conflated, particularly in Melbourne, with the politics of MUP CEO Louise Adler, who is associated with a group called Independent Australian Jewish Voices, which advances a progressive view of the conflict in the middle east:

We are committed to ensuring a just peace that recognizes the legitimate national aspirations of both Israelis and Palestinians with a solution that protects the human rights of all.

We condemn violence by all parties, whether state sanctioned or not. We believe that Israel’s right to exist must be recognized and that Palestinians’ right to a homeland must also be acknowledged.

Everyone in the Melbourne media and political establishment has voiced an opinion on Adler, including the rabid Andrew Bolt, who says:

Listening to Adler, I suspect there may be something in the theory that Western ‘intellectuals’ are crippled by a suicidal self-hatred.

Or, rather, that they’re crippled by a hatred of the society that gives them every opportunity - including, to their rage, the opportunity to be ignored.

How true that seems to me of Adler, a Jewish publisher so keen on a book from a terrorist recruit [Hicks], who once wrote of his plan to ensure the ‘Western-Jewish domination is finished’.

Bolt refers to Adler’s interest in publishing a book by David Hicks:

Listen to Louise Adler, the far-Left head of Melbourne University Press.

She’s angry the Howard Government won’t let Hicks make money by selling (to her?) the story of his criminal career.

Adler’s position is described by the Age:

Louise Adler, head of Melbourne University Publishing, criticised comments made yesterday by federal Attorney-General Philip Ruddock, reiterating the Government’s commitment to prevent Hicks, a convicted supporter of terrorism, from making money telling his story.

“I think it is disingenuous of Mr Ruddock to take this position when, in the past, Mark ‘Chopper’ Read, who actually killed people, profited from his numerous volumes of memoirs.

The Australian Jewish News similarly reports that:

During a recent interview, Adler, the Jewish head of Melbourne University Publishing, argued that Hicks’ experiences should be put in print despite a Federal Government order prohibiting the known antisemite from selling his story.

It also claims that:

Adler has become a contentious figure in the world of publishing, ever since she printed Antony Loewenstein’s My Israel Question and Mark Latham’s infamous political memoir The Latham Diaries.

The agenda of the Australian Jewish News is different to that of the Age. In another article it argues that:

JEWS like to call themselves the People of the Book, but lately, there are more than a few Australian Jews discomfited by the actions of one of their own particularly bookish people - Louise Adler.

In the space of 12 months, Melbourne University Press, of which Adler is the chief executive, published two stridently anti-Israel books, Jacqueline Rose’s The Question of Zion and Antony Loewenstein’s particularly notorious My Israel Question.

Australian Jewish News equates publishing books it disagrees with and dislikes with questionable publishing decisions:

Adler has forged a fine reputation as one of Australia’s leading book publishers and as a champion of the arts. But she has also made some questionable judgment calls as to who she publishes. Rose, Loewenstein and Hicks might make a fashionable triumvirate for her fellow left warriors, but her fellow Australian Jews would hardly feel the same way.

I think they miss the point, which has been lost in the Jewish / Israeli / Zionist debate between Jews: that the debate itself is also occuring throughout Australian society, not just within the Jewish community. Middle eastern politics, from Israel to Iraq, are topical. Publishers seek to satisfy interest in a topic, and it cannot be assumed that they personally believe everything they publish.

As an atheist, I resent being accused of anti-Semitism when I question the human rights abuses perpetuated by the democratically elected government of the political state of Israel. I’m not questioning that state’s official religion or the values of that religion. I am questioning the political values and ethics of the elected leaders. This is precisely the point being made by the IAJV:

Uncritical allegiance to Israeli government policy does not necessarily serve Israel’s best interests. Our concern for justice and peace in the Middle East is a legitimate opinion and should be met by reasoned argument rather than vilification and intimidation. In particular, we are concerned that the Jewish establishment does not represent the full range of Jewish opinion. Contrary to widespread concerns, anti-Semitism is not fuelled by Jews who publicly disagree with actions of the Jewish State.

Having worked for Adler at MUP I’ve had the opportunity to observe her work, to learn from her and to even occasionally disagree with her. I can honestly say that she is convincing, sometimes intimidating, but totally sincere in her interest in and respect for honest intellectual debate. This willingness to engage in open debate is not necessarily appreciated by other participants.

Tori: my favourite MILF

Posted in media, music, sex and gender, social issues on June 26th, 2007

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Tori at Hamer Hall in Melbourne, 2005

Tori Amos has been censored on radio in the US and UK (and presumably elsewhere) because her song Big Wheel includes several uses of the term MILF (Mothers I’d Like to Fuck). But if you don’t know what it means, you can’t be offended. If you do know what it means, then you’ve heard it before. What’s the problem?

So what does Tori think of raunch culture? I’d like to have a serious conversation with her about it and many other aspects of sexual politics. Alternatively, it would be great to hear Tori interviewed by Ariel Levy, author of Female Chauvinist Pigs: Women and the Rise of Raunch Culture (Tori and Ariel are both listed as ‘women you should know’ at the ThinkGirl.net site). Tori says that:

… in our society — if you go back to the Christian myth — we don’t let women have sexuality. I can’t accept that.

The MILF concept is discussed by the articulate sex commentators Em and Lo in a recent article. They question:

How exactly did a once-taboo erotic fetish become a widespread, culturally sanctioned ideal, a perverse mix of branding and empowerment? After all, a hot mom used to be a tragedy, whether in the literal sense (Oedipus? Mom-I?m-Fated-to-Fuck, Jocasta) or in the bittersweet Mrs. Robinson sense (?Oh, God. Oh, let me out,? begs Benjamin Braddock). Alternately, it was an insult: ?Oh, yeah? That?s not what your mama said last night.? A hot mom was by definition a bad mom.

Tori appears to be informed about the dabate. As her American Doll Posse persona Santa writes in her blog:

what women chose to do with Their Bodies in the 21st century where we have more choice than we have had in a long, long, long, long time is important. Nobody is making us become objects in the west but ourselves.

So Tori implies that she is in control of her image and is making a deliberate statement in defining herself as a MILF. However, symbolism is not as simple as that. Em and Lo acknowledge a conflict or contradiction:

We, like many modern women, are trapped between two fears: that having kids will make us unsexy, and that trying to stay sexy will make us ridiculous. Our inner feminist tells us that MILFdom is not a solution but rather a self-destructive form of female-chauvinist piggery, to borrow Ariel Levy?s term: Are today?s mothers really so afraid of seeming past their prime that they accept objectification as a compliment? In this light, the MILF mandate is just another superficial standard for women to try?and fail?to live up to, the final, exhausting step for alpha moms trying to ?have it all.?

In another of her blog posts, Santa says:

clich?s about which women are in their own authority and which women are actually allowing themselves to be abused may just surprise us all.

This complex and ambiguous statement makes everything seem uncertain. What can we believe in? Nothing can be assumed or taken for granted. Despite this, Em and Lo conclude that:

But in the end, we?re suckers for the MILF: She may be glossy, she may be goofy, yet we can?t help but cheer for her.

I could say the same for Tori. I’m so looking forward to seeing her and her posse perform live.

entering a convent

Posted in Abbotsford, art on June 25th, 2007

On Saturday I went to the Abbotsford Convent and had lunch at Lentil as Anything, then went exploring in the building and surrounding gardens. The convent is a fantastic place to explore, because you discover many artist’s studios and various other creative premises throughout the building, and the vast spaces and long corridors stimulate the imagination to consider what life was like in the original convent. Below are some pictures of the convent.

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Does anyone know a cute girl with pom poms?

Posted in Abbotsford, art, galleries and museums, sex and gender on June 24th, 2007

On Saturday I visited the 4cats Gallery in Abbotsford and became instantly attracted to the work of Hannah Murray.

Hannah is a Melbourne based painter who explores female sexuality, female insecurities and the desire to be wanted. … Hannah completed a Bachelor of Visual Arts in 2003 at James Cook University and won the University painting prize in her final year.

There is something special about seeing new work and feeling an intangible connection to it. The work below, which I bought, was left over from Murray’s 2006 exhibition called ‘Promise to be kind’. A gallery of her work is available here.

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Does anyone know a cute girl with pom poms?
Acrylic/wallpaper on canvas
76 x 60 cm

Murray paints her subjects onto wallpaper she collects from vintage shops and garage sales. The works are then sized onto canvas. The wallpaper, with its girly, delicate patterns is the only clue to the inner fragility or sensitivity of these young women.

Murray’s work in this series can be compared to that of Abbey Mcculloch in style, theme and subject: flat outlined figures with wide eyes who adopt casual youthful poses and who communicate subtle sexual ideas about innocence and experience.

The 4cats Gallery notes state that:

Her [Murray's] young flirtatious subjects pose and stare sometimes unaware of their own alluring stance. The artist with her all - girl exhibition is primarily interested in exploring female sexual ambiguity. Her models are glamorous and sexy and want to be desired, but by whom they won’t say. They are confident of their desirability but are not exactly sure how to channel their desires or exactly what is it they want? They pout and they glare at the viewer confidently, but you can sense a touch of vulnerability and lost hope.

Similarly, according to a 2005 Age newspaper review:

McCulloch’s “girls” are depicted in everyday situations - dancing with friends, sipping bubbly, talking on their mobiles - but always with a sense of self-awareness and vulnerability.

I’m not suggesting that Murray is replicating McCulloch’s work; I do not know if the former knows of the latter. What is more relevant to me is the repetition of the theme: young women who communicate ambivalent or uncertain sexual messages. They’re exploring who they are and who they want to be. The subjects in the paintings are cute, awkward, funny, shy and bold.

4cats have an amazing gallery space - the ground floor is large and like many other galleries. What is special is the upper floor that has been created in the roof. It’s worth visiting on a lazy Saturday afternoon.

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Wildflour revisited

Posted in Fitzroy, George St, business, coffee, customer service, drink, food on June 22nd, 2007

I was walking down George St and found myself passing by Wildflour, which has recently experienced business problems. A former cafe site, it was turned into a bakery on site cafe, albeit without a baking licence. The council forced an end to on site baking. I stuck my head into the just closing cafe to have a look at the rearranged eating space which, without the oven, has been enlarged.

A friendly staff member starting chatting with me and I asked about the changes to the business. The existing cafe licence is safe and Wildflour will continue as a business, though baking is now occuring off site at a factory in Mordialloc, which is considerably cheaper for factory space than Fitzroy ($12,000 pa vs $90,000 pa - no wonder small industry is leaving the inner city - we yuppie latte sipping urbanites drive it out). The changes are in fact for the better - there is more space in the cafe.

Wildflour has been given positive reviews by bloggers (including here) and I will try it for a third time soon to see how the new setup is working.

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