Archives for “Palast 2004”

Review: ‘Tacita Dean’ at Australian Centre for Contemporary Art (ACCA), Melbourne

Posted on Monday, July 20, 2009 at 7:16 pm.

Exhibition dates: 6th June – 2nd August, 2009 . Photographs from the exhibition are in the chronological order that they appear. . . Tacita Dean ‘Grobsteingrab (floating)’ 2009 . . Tacita Dean ‘T & I’ (Tristan & Isolde) 2006 . . Tacita Dean ‘Totality’ 16mm colour film 2000 . . “The subjects are connected to the medium I use. It’s all about light and time and phenomena to some extent, like a rainbow or a gust of wind or even an eclipse or a green ray, things like that. And this is the language of light. It’s not the language of binary pixels.” Tacita Dean1 . “The value of her [Dean's] work, writes Winterson, is one of the virtues of art itself: it is ...

Filed under 'Grobsteingrab (floating)' 2009, ACCA (australian centre for contemporary art), Darmstädter Werkblock, Darmstädter Werkblock 2007, Die Regimentstochter, Die Regimentstochter 2005, Kodak, Kodak 2006, Melbourne, Melbourne Southbank, Merce Cunningham Performs ‘Stillness’ (in three movements) to John Cage’s composition 4’33”, Michael Hamburger 2007, Music, Noir et Blanc 2006, Palast 2004, T + I (Tristan + Isolde) 2006, Tacita Dean, Totality 2000, artist website, black and white photography, english artist, exhibition, existence, film, gallery website, installation art, landscape, light, memory, performance, photography, portrait, psychological, reality, review, sculpture, sound, space, time, works on paper.